In the guitar world
the archtop is one of the most highly evolved designs. The subtleties and nuances of
it's tones are most often appreciated by those who have played for some time and are
looking for that sophisticated sound. Archtop players generally are divided into
two camps, those that like that bigger than life electric sound mixed with their acoustic
sound, and those that are interested in pure acoustic sound. I myself enjoy building
both kinds of instruments. Blue Empress Headstock
The Blue Empress headstock
above is from a guitar commissioned by Scott Chinery for the Chinery
Collection.
That guitar was on display at the Smithsonian Institute throughout 1995 as part of an
exhibit called "Blue Guitar".
In
my archtop designs there is quite a synthesis of influences. During my 8 year tenure at Gruhn Guitars and as
lead repairman there, I had the unique opportunity of being able to study a great
number of the best guitars ever built. At this point it takes a very special
instrument to attract my attention and inspire me. This is my goal with every instrument
that I build, to attract attention and inspire.
I see John D'Angelico's work as one of my main inspirations, mixed quite
heavily with that of the work of Jimmy D'Aquisto. These men spent their lifetimes
refining the archtop guitar and I enjoy building in that tradition.
My guitars have clarity and richness of tone, with a good
separation of notes and an even response. Each one of my guitars is finished with a
gloss varnish. This fabulous finish is very durable, has a warm glow and helps impart that
dry vintage sound. All my guitars are made with an adjustable truss rod which helps
maintain proper playability.
I build two basic archtop models, which are:
